Bit of Bolly - Bollinger launches La Grande Année 2012

Originally appeared on Wallpaper*

The champagne house’s hotly-anticipated 2012 vintage delivers on its promise 

There aren’t many champagne houses with the legacy and prestige of Bollinger, and its most recent release will only enhance this reputation.

Those of us who enjoy a ‘bit of Bolly’ will rejoice at Bollinger’s latest UK release, the absolutely fabulous 2012 vintage of the Maison’s famed La Grande Année and its corresponding Rosé. The 2012 vintage is the premium vintage of the 21st century for Pinot Noir grapes, with a small but outstanding crop due to an almost perfect August and September. La Grande Année contains 65 per cent Pinot Noir, making for a depth and texture rarely seen, and its medium dosage contributes to a simultaneously creamy and delicately bitter champagne - an ideal partner for any budding gastronome.

Fitting, then, that La Grande Année 2012 and Rosé 2012 were launched at St. John Restaurant in Smithfield, with a bespoke pairing menu by Head Chef Steve Darou and founders Fergus Henderson and Trevor Gulliver. Fergus and Trevor were delighted at the opportunity to showcase the wines: ‘The 2012 vintage of La Grande Année and La Grande Année Rosé was an exceptional year and it has been an honour to create the dishes to pair with these great wines.

‘We have chosen the respective ingredients for each pairing after much careful consideration, with the aim of fully expressing the flavours of the dishes and the wines to their full potential.’

The event was the first stop on Bollinger’s ‘Le Grand Tour’, which will see chefs create menus celebrating single hero ingredients, expertly prepared to pair with each wine. At St. John, fresh poached langoustines from Dorset were served alongside La Grande Année 2012, the sharper elements of the champagne perfect for seafood. 

The main, a Guinea Fowl pie, was paired with La Grande Année Rosé 2012. The Rosé has been enhanced by the addition of Bollinger’s exceptional red wine from La Côte aux Enfants in Aÿ, reserved for only the greatest vintages. The region originally became famous for its red wine, and Bollinger’s special, tiny plot still employs a highly skilled Burgundy winemaking method, almost non-existent in the Champagne region. The hearty, technically challenging pie, a rich, indulgent main, was an apt accompaniment to the deeper Rosé.

After the successful launch at St. John, the second ever Grand Tour will now travel the world, giving top chefs the chance to celebrate these two cuvées alongside the very best in global cuisine. Not bad for a humble grape.

Smooth operator: Midleton releases the ‘rarest whiskey in the world’

Originally appeared on Wallpaper*

Old Midleton Distillery’s doors have been opened for one last collection, never to be seen – or tasted – again

There’s something very special coming out of Ireland. The doors of Old Midleton Distillery, closed in 1975, have been reopened by Master Distiller Brian Nation to celebrate the work of his predecessors in the now silent distillery, and to reflect on Irish whiskey’s deserved place at the industry’s top table.

The Midleton Very Rare Silent Collection will consist of six whiskeys aged between 45 and 50 years, forming Irish whiskey’s oldest collection, with a new release annually until 2025, Old Midleton Distillery’s 200th birthday. The Silent Collection is a reference to Old Midleton’s status as a silent distillery: one that has closed its doors, ceasing production. As time passes, the liquid left inside the walls of a silent distillery becomes highly sought after for its taste, prestige and rarity, with such spirits known as unicorn whiskeys. While other silent distilleries rise from the ashes and restart production, Old Midleton has been fully decommissioned. Its stills will lie empty: the Collection marks the last drops of the distillery’s finest innovations. 

The first in the Collection, released this month, is a rare beast indeed: a 45-year old peated Irish single malt. At the time, this was almost unheard of in the Irish whiskey world, and is still very much a rarity in the industry. Laid down in 1974, the spirit was the culmination of a series of trials by Master Distiller Emeritus Max Crockett, with his experimentation in peated spirits between 1964 and 1974 finally coming to light.

The whiskey is a family endeavour, with Max’s son, master distiller emeritus Barry Crockett, sourcing the peat for the 45-year-old expression while learning the trade off his father – who also happened to be the forefather of modern-day Irish whiskey. Now, current master distiller Brian Nation has had the privilege of caring for, sampling and bottling a spirit that has been waiting to be shared for five decades.

‘One of the most wondrous parts of my job is that I’m often responsible for safekeeping the legacy of another,’ Brian explains at a dinner to celebrate the release. ‘For many years now, my colleagues and I have been caring for the work of Max and Barry Crockett, to determine the optimum time to share it with the world.

‘Having monitored and sampled the liquid over the years, we’ve found that it’s the ultimate tribute to the dedication, precision and craftsmanship at Old Midleton Distillery. It’s among the very last remaining whiskey distilled through the largest pot still in the world. This makes it one of the world’s rarest whiskeys by its very nature. With notes of ripe honeydew melon, red berries and sweet spices of toasted oak, it would be a shame not to share this expression with the world.’

Barry Crockett, too, is pleased with the results: ‘It’s remarkable that 45 years on we could even be speaking about a whiskey which was distilled in the very final period of the Old Midleton Distillery. It is the ultimate heirloom and memento of the dedication to precise malt preparation, brewing and distillation skills of generations of distillers at Midleton.’

There are only 48 bottles of the expression, with 44 for sale, making this the rarest whiskey in the collection. It’s only fair, then, that the spirit gets the very best treatment, with Midleton staying true to Irish heritage and craftsmanship: the decanter has been designed by Waterford Crystal, each example a hand-blown, etched, unique work of art, and comes displayed in a wooden cabinet handcrafted by Irish designer John Galvin, using wood from reclaimed whiskey vats up to 200 years old. 

87 per cent of the cask’s contents have disappeared, taken as the angel’s share over the years. Tasting the whiskey, you can’t help but be jealous of those angels having all the fun. The nose is full of richness, an oak base layered by deep, dark spices and the comforting scent of fresh peat. Having lay dormant in third-fill sherry casks for 45 years, a punch of red berries comes through, along with a touch of honeydew melon. When you finally get to the taste, you’re enveloped by pepper and spice that softens as the malted barley brings forward barley sugar and honey notes, built on that foundation of toasted oak. The finish lingers, the pepper and sweetness combining to coat the mouth long after you’ve finished the dram.

Stood before his lucky guests and the Waterford Crystal decanter, Brian put it best: ‘The glass in front of you contains 25ml of the rarest Irish whiskey in existence. To be able to release this when Irish whiskey is in such a buoyant state is truly an honour and a privilege. It is the pinnacle of Irish whiskey.’ Having had three legends of Irish whiskey working on it for more than five decades, it’s hard to argue.

The Whisky Master of Seville

Originally appeared on Spear’s

What does Seville have to do with Scotch? David Taylor heads to southern Spain to find out 

A month or so ago, an email pinged into my inbox with an invitation to a whisky launch in Seville. Usually there would be no hesitation, but I hovered over the reply button. What did Seville, spiritual home of Spanish exploration, tapas and oranges, have to do with a dram that was dreamed up over 60 years ago in the drizzle of Aberdeen and matured at Speyside’s Strathisla distillery?

Quite a lot, as it turns out. It all comes down to sherry.

Again, you might think that sherry and whisky have very little in common, but finishing whisky in sherry casks is a practice with a long tradition. Sherry’s sweetness can add a depth of flavour the original liquid would otherwise lack.

The sherry casks used by Royal Salute Whisky come from Pedro Ximénez grapes. Combine them with the dark caramel notes of a Scotch, and you have a match made in heaven. Where are the best Pedro Ximénez casks said to come from? Just outside of Seville.

And so I found myself watching a private Flamenco performance within Seville’s UNESCO World Heritage Royal Alcázar palace complex while trying Royal Salute’s 29 Year Old Pedro Ximénez Sherry Cask Finish Edition. The whisky’s Master Blender, Sandy Hyslop, was there, too, and waxed lyrical both about his new creation and the casks he’d had the fortune of using: “We have a good working relationship with the cask providers and that was important for the development of this special blend. We didn’t want to just buy empty casks, but wanted to control the process from start to finish.

‘We were able to create Pedro Ximénez casks that were fabricated for us from Spanish oak, fully conditioned with sherry and shipped to us in Scotland during the winter months to avoid any issues with transit in containers in the warmer months. This process took several years, but was worth the wait.’

Waiting is something in which Royal Salute has become particularly versed. Launched in 1953 by Chivas Brothers in tribute to the coronation of Queen Elizabeth II, the whisky is named after the traditional 21-gun salute. It follows, therefore, that all whisky used in the blend has been aged for a minimum of 21 years, demanding a significant amount of forward planning, to the extent that Sandy is now planning whiskies he’ll likely never taste. This hasn’t dampened his drive: ‘We started talking about this expression years ago, and as we’re always turned towards innovation, we felt this was a great opportunity to create a “first” for Royal Salute, as we’ve never fully finished our whisky in first fill Pedro Ximénez sherry casks before.

‘Whisky is such a versatile and complex spirit that we felt enhancing the flavour of the liquid by finishing every single drop of it in the sherry casks would add another dimension to the blend. The sherry butt finish brings an amplification of the rich velvety character of the whisky but also brings a gentle spicy nuance too.’

Thanks to its Sevillian influence, the whisky has orange notes on the nose, along with a tell-tale hint of sultana, courtesy of its Spanish sherry partner. The sweet taste is full of plum and treacle, and the finish is long and sweet with that spicy kick, a product of the whisky’s long maturation and full sherry finish. A Scottish spirit informed by an Andalusian fire: the journey from Speyside to Seville and back again might sound like an unexpected package holiday, but it’s done the trick for Royal Salute. A bit of Spanish sun never did anyone any harm, after all.


Experience Hamburg like a local: Nat Geo Traveller

Originally appeared in Nat Geo Traveller

For a snapshot of both classic and cool Germany, look no further than its second city. Whether you’re seeking high-brow concerts or bargain cast-offs, here’s where to head for the best of both worlds

Big-hitters

It would be remiss not to start with the Elbphilharmonie, affectionately called ‘Elphi’ by the Hamburgers. After 10 years of delays, fundraising and building, the city’s stunning concert hall opened in 2017 and is now a firm fixture on the cultural scene. Concerts take place throughout the year, covering everything from chamber music to modern jazz, with visiting orchestras such as the London Philharmonic often appearing on the calendar. For a quick meal before a concert, or a post-music pick-me-up, Kinfelts Kitchen & Wine serves the Elphi-Menü, a five-course dinner split into two acts: three courses before the concert, then a main and dessert served afterwards.

Wilhelmsburg, an island suburb between the northern and southern branches of the River Elbe, has gone from industrial corner to creative hub in the south of Hamburg-Mitte. Check out Atelierhaus23, a community project run by local artists showcasing their own and others’ works, with guest exhibitions running regularly.

As one of Europe’s largest ports, Hamburg is indelibly linked with the water — and there’s no better place to learn about its trading past and present than in the wide boulevards and mazy backstreets of the historic Speicherstadt, the world’s largest warehouse district and a UNESCO World Heritage Site. Since 2008, the district has made up part of Hamburg’s newest quarter, HafenCity; currently Europe’s largest inner-city urban redevelopment project, HafenCity (‘HarbourCity’) has seen the port area revitalised with a wealth of new waterfront hotels, shops and offices. Don’t miss Discovery Dock, in the shadow of the Elbphilharmonie, which offers an overview of the inner workings of the port and features interactive exhibitions that let visitors search for smuggled contraband and load shipping containers via VR headsets.

If there’s a poster boy of the area’s regeneration, the 137ft-tall Energiebunker, rising from Wilhemlsburg’s 19th-century Reiherstieg quarter, is surely it. Built as a flak tower in 1943, it was designed to defend the city against aerial bomb attacks. These days, the solar panel-adorned building serves as a renewable energy plant and giant heat storage facility. Make your way to the top floor, where you’ll find Café Vju, a 360-degree panoramic terrace and bar offering the finest views of Hamburg’s urban sprawl.

Alternative scene

Seen by many as the city’s counter-cultural centre, Schanzenviertel is where those in the know go to when the Reeperbahn — the city’s main nightlife drag — becomes too crowded. Its main street, Schulterblatt, is home to the area’s best cafes, bars and pubs, as well as a wide array of restaurants focused on plant-based cuisine. Mamalicious is known as Hamburg’s favourite veggie breakfast joint, and its all-day offerings are top-quality and nearly all vegan. For a quick sweet treat, stop by Herr Max for vegan chocolate-blueberry cupcakes and dairy-free ice cream.

Despite gentrification bringing renovation and higher rents to the area, Rote Flora — a former theatre that now houses Germany’s oldest squat — stands as a symbol of Hamburg’s strong alternative scene and is known for its status as a political and cultural hub.

Another highlight is the Flohschanze flea market, a hot, noisy haggler’s paradise offering a heap of treasures, from rare LPs to designer labels. If the action at Flohschanze gets a bit much, nearby Portuguese coffeehouse Café Estrela serves a proper galão — a Portuguese upgrade on your usual latte and the perfect accompaniment to a spot of people-watching.

The narrow streets of the Karolinenviertel neighbourhood are a hotspot for the best independent shops and clubs Hamburg has to offer. Hot Dogs is the place to go for footwear, and designer grotto Goldig offers pieces by a range of Scandinavian, English and Spanish brands. After an afternoon’s retail therapy, take five with a coffee in the rustic, cosy ambience of Café Panter or try Gretchens Villa for some fin de siecle-style decadence.

The area is also home to a booming music scene, with a huge number of record stores alongside bars such as Das Neue Dschungel and Kleines Phi. Live music venue Knust, inside an old abattoir, hosts both international and underground artists.

Finding culinary balance in Vietnam

Originally appeared in The Paper by Carrier

From the capital of Hanoi, with its stunning architecture, to the heady delights of Ho Chi Minh City, take in the all-encompassing metropolis, people, and food of such a diverse country. As well as staying in the best luxury retreats, such as Four Seasons Resort The Nam Hai, explore the most enchanting culinary scene. 

Due to Chinese control of Vietnam from 111BC to 938AD, local dishes showcase a strong focus on traditional Chinese medicine: philosophically balanced, it takes the best of the region and perfects it, creating a distinct and unforgettable flavour profile. Finding a balance of bitter, spicy, sour, sweet and salty flavours, Vietnamese food corresponds to the five elements of fire, metal, wood, earth and water through each fragrance, colour and taste. Take the use of the fermented fish sauce nuoc mam, the juice of the kalamansi citrus fruit, or sweet/spicy tamarind and chilli peppers: it’s a gastronomic treat for the five senses.

It’s also seen as one of the healthiest cuisines in the world, due to its fresh ingredients, negligible use of dairy and oil, and focus on vegetables, spices and herbs. The principle of Yin and Yang is central to the kitchen: after all, a balanced meal means a balanced body. Push your exploration beyond its normal limits by delving into the vibrant and fresh flavours of lemongrass, ginger and mint, while indulging in dishes unique to each part of this fertile and lush country.

Hanoi

On the bank of the Red River is Vietnam’s capital, Hanoi. Wide, tree-lined boulevards and luxury villas mix with ancient streets, making this a lively and vibrant city. There’s certainly plenty to enjoy in Hanoi with its traditional entertainment, fascinating history and, of course, its mouth-watering street food, whose vendors provide Hanoi’s almost 8 million stomachs with perfect treats day and night. Many of Vietnam’s most famous dishes are said to have their beginnings in Hanoi, including Phở, the country’s world-famous rice noodle soup.

There’s a place for tradition and a place for innovation, and it’s here that food bloggers like Van Cong Tu are an invaluable source of local knowledge. A street food tour with him will reveal the area’s best culinary spots. Try stir-fried noodles with beef at his favourite spot, or grab bún chả, a charcoal-roasted pork in a sweet/salty soup with rice noodles and lettuce – it’s a local favourite.

Halong Bay

As balance is all-important, time spent in the big city should be paired with something a little more serene. Halong Bay, a UNESCO World Heritage Site, is famous for its thousands of limestone islets dotting the sea and tropical, evergreen setting. The best way to see this unique part of the world is by ‘junk’, a type of ancient Chinese sailing boat. Hop aboard Violet, a traditional deluxe vessel, for an overnight cruise to discover the otherworldly Tien Ong cave, a natural and ancient grotto with stalactites shaped like peacocks and crocodiles and stone artefacts from the Hoa Binh, a mystical community that lived as long ago as 10,000 BC.

Experience the beauty and serenity of Cua Van, Halong’s largest floating fishing village, with its fishermen always ready to educate tourists about their traditional culture and customs. Watching nets be made and the fishing itself is an experience not to be missed, and reinforces the importance of learning how best to live life sustainably from those who call the area home. For a few more life lessons, a cooking class on the Violet with its chef is a good way to perfect your seafood dishes, as Halong Bay is home to a healthy number of cuttlefish, oysters, prawns and lobsters. Wash your hard-earned food down with a few drams of sticky rice wine or try a Moscow Mule, made – of course – with Hanoi Vodka.

Ho Chi Minh City

With a population of 8.6 million, it’s impossible to remain disconnected from the sights and smells of the bustling Ho Chi Minh City. This is Vietnam at its most high-energy, a heady, disorienting destination, where local vitality and pace of life carry you away to the very essence of what it means to be Vietnamese.

Exploring the back streets and eateries of what was once known as Saigon is a thrilling enough experience on foot, but here, Carrier goes the extra mile. Hop on the back of a Vespa with an expert guide leading the way through street food stalls, to restaurants run by Michelin-starred chefs, to the oncein- a-lifetime experience of Ben Thanh Market. Expect to be welcomed by stall owners selling everything you love – and things you’ve never even considered. Wind your way through the labyrinthine aisles to the wet market at the back of the complex to find a dizzying array of local produce and ingredients laid out for Saigon’s hungry throngs. As dusk falls, the surrounding restaurants open their doors, drifting the scents of their wok-fried noodles and barbecued fish until the early hours – much needed after an afternoon of giddy sightseeing.

 Ho Chi Minh City isn’t necessarily all action – an escape from the city is possible by spending time with local farmers and their families among the rice paddies and fruit farms of the fertile Mekong Delta. This tranquil setting is the perfect retreat – spend time among its floating markets and Khmer pagodas, dotted along the many canals and waterways that crisscross the landscape of the ‘Rice Bowl of Vietnam’. The hectic and the calm; the loud and the quiet; you’ll leave Vietnam with your body and mind in perfect harmony.

12 hours in Frankfurt - Atlas City Guide

Originally appeared on Atlas by Etihad

Germany’s financial centre is about more than big banks and shiny suits. Lose yourself for the day in the best of Frankfurt’s restaurants, gardens and museums

10:00 Frankfurt Botanical Garden

Frankfurt has the image of a bustling financial hub, but you can start your day in greener surroundings at the Botanischer Garten Frankfurt am Main – seven hectares of botanical garden in the central Westend-Süd district, only a 20-minute taxi ride from the airport. A fixture in the city since the 18th century, it originally served as a medicinal garden for the adjacent public hospital, and all three of its gardens are open to the public daily throughout summer. Directly next door is the Palmengarten, 22 more hectares of free-air and acclimatised greenhouses full of tropical and sub-tropical plants.
Siesmayerstraße 61, 60323; +49 69 2123 6689

11:30 Main Tower

The best view of the city comes from the 56th-floor observation deck of Main Tower in the financial district. It’s Frankfurt’s (and Germany’s) fourth tallest building, and the only skyscraper in the city with a viewing platform. Take in the stellar view of the Old Town and the banks of the River Main, surrounded by the superstructures of the financial district.
Neue Mainzer Straße 52-58, 60311; +49 69 3650 4878

12:45 Oosten

A leisurely half-hour wander down the river from Main Tower, Oosten is an industrial-style restaurant in a glass, steel and wood building at the base of a massive crane by the waterside. You get a 270-degree view of the Frankfurt skyline, and delicious local soul food along with vegan and gluten-free options. Oosten is good at any time of day (though the terrace is a must at sunset), but lunchtime gives you an insight into local life in Frankfurt in the coolest part of the city.
Mayfarthstraße 4, 60314; +49 69 949 425 6814

14:30 Museumsufer

Why have one museum when you can have 16? Frankfurt’s museum embankment flanks both sides of the river and houses some of Germany’s most important artworks and artefacts. Central to this is the Städel Museum, which holds one of the country’s most precious art collections: 2,700 paintings, 600 sculptures, 100,000 drawings and prints, and 100,000 books. Paintings from masters such as van Eyck, Rembrandt, Botticelli, Degas and Vermeer adorn the walls. Besides the Städel, the Museumsufer covers themes such as film, architecture, communication and Frankfurt’s Jewish community.
Schaumainkai 63, 60596; +49 69 2123 6325

17:30 Old Town

While Frankfurt’s Old Town was mainly destroyed in the Second World War, plans to rebuild it according to its original design were put in place in the 1980s, and have recently been completed. The historic centre, Römerberg, is a beautiful square showcasing the traditional half-timbered architectural style of medieval Europe. The centrepiece Römer building has been Frankfurt’s city hall for more than 600 years, and was also painstakingly restored by the city. Take a seat and enjoy a sweet coffee with cream at nearby Bitter & Zart, a chocolaterie specialising in all things cocoa.
Braubachstraße 14, 60311; +49 69 9494 2846

19:30 Restaurant Klosterhof

A trip to Frankfurt wouldn’t be complete without a taste of its grüne soße, or green sauce. This “grie soss” (as the Frankfurters pronounce it) is a mixture of seven fresh herbs and a combination of creams, oils and any other delicious ingredients you could think of that would work in a sauce. Usually served cold with boiled potatoes, boiled eggs or roast beef brisket, the best way to experience it is with the Frankfurter schnitzel – accompanied by local apfelwein (cider). Restaurant Klosterhof serves a praiseworthy schnitzel – as does Austrian eatery Salzkammer – but insist on the green sauce.
Weißfrauenstraße 3, 60311 (Klosterhof), Weißadlergasse 15, 60311 (Salzkammer)

22:00 Robert Johnson

Despite it being named after a famed blues musician, the Robert Johnson club is all about techno and electronic music. It’s said that the sound system is the best in Europe, and whether true or not, international and local DJs flock to play this small club in the Offenbach district. Like most German clubs, it has a strict, no-nonsense door policy, but with a main room holding fewer than 100 people, it’s worth the hassle for an intimate musical experience.
Nordring 131, 63067; +49 69 9202 0990

Sheffield: Why It's Time To Reconsider The Steel City

Originally appeared on Esquire UK

Sheffield doesn’t seem to get much national coverage. It’s that city in South Yorkshire, isn’t it? Used to make steel, two decent football teams, pretty hilly. Not much to see here.

For most Sheffielders, that’s fine with them. Sheffield is comfortable being itself, cheerfully under-hyped. From sport - it’s the home of modern football (the original rules were written here in 1858) and hosts snooker’s World Championship - to music (Arctic Monkeys, Pulp and The Human League, anyone?), Sheffield has plenty to brag about, yet gets on with life, letting other local cities vie for the limelight.

It still has parochial elements, but Britain’s biggest village isn’t all greasy chip butties and old men supping a warm ale with their whippets (although we’ll hear nothing against that). The Steel City has another side that it would be remiss not to experience, a creative, independent and dynamic underbelly that locals and privileged outsiders know all about. For a weekend away, Sheffield should be near the top of the list. Just don’t tell too many people.

To stay: Brocco on the Park

This beautiful Edwardian boutique hotel overlooking Endcliffe Park is perfectly placed for wherever your mood takes you. From here it’s a ten minute walk into the city centre (and probably about twenty back, courtesy of one of Sheffield’s hills / that last Old Fashioned you had “for the road”). For a day surrounded by nature, grab one of Brocco’s Big Five super smoothies and head only ten minutes by car into the Peak District. You might think this is an exaggeration, but the city is deeply connected to the countryside, and has the most trees per person in Europe - it’s come some way since its industrial days.

Breakfast: Marmadukes

This independent café in the heart of Sheffield has been serving a greedy city from three floors of an old Georgian townhouse since 2012, its eccentric, winding layout lending it a conspiratorial atmosphere. Almost everything is made in-house each morning, the artisan bread coming from nearby Worksop and the milk from Our Cow Molly, only three miles away. If you’re feeling ambitious, go for the gut-busting Duke’s Breakfast. If this is too much for your morning sensitivities, don’t worry - their avocado toast is just as good.

Coffee: Take your pick

The people of Sheffield love coffee. Maybe it’s all the walking everyone seems to do, or maybe the nightlife is too tempting, but a morning pick-me-up is vital to the vast majority. Luckily, the city has its fair share of quality coffeehouses, especially around busy West Street.

Tamper Coffee is run by Kiwis and brings the best of New Zealand coffee culture to the city, while Steam Yard is in a great little courtyard that feels miles away from the centre. A few minutes down the road is Sheffield’s most design-led coffeeshop - Ink & Water serves premium coffee and local treats, but is also a graphic design and animation studio, with a real Bauhaus vibe throughout.

Dinner: Jöro

Shipping container restaurants are definitely a thing, at least at Krynkl, a collection of containers housing start-ups, a rooftop bar and Jöro, a restaurant offering “a meal built of many small plates”. It was awarded a Bib Gourmand in the Michelin Guide 2019, and head chef Luke French cooks his “New Nordic” dishes with hyper-seasonal and sustainable ingredients. The barbecued Moss Valley pork belly with Hoisin is a highlight. As are the other seven dishes you’ll invariably have.

Cocktails: Public

Public was recently awarded the best place to drink in the country by Observer Food Monthly, which is a far cry from the underground building’s original use as a public toilet. Underneath the Town Hall, the owners weren’t even allowed to install card machines at first due to the building’s protected status. Somehow they’ve sweet-talked the council, so no need to walk across the road to the cash machines.

The brass-and-leather-soaked bar serves cocktails from a menu split into four sections: Public Awareness (sustainable), Public Footpath (locally sourced), Public Liability (extra strength), and Public Health (alcohol free). Many focus on sustainability and locality, with regular forage sessions in the nearby Peak District and agreements with coffeeshops to take in their used grounds. Public also collaborates with other local businesses, such as vinyl store Bear Street Records and potter Grey Suit Clay. It’s small, it’s cool and it serves (probably) the best hedgerow negroni in the world.

Pub: Kelham Island Quarter

If you like beer, you might never leave. Sheffield has a huge range of pubs, but nowhere is the ale-to-person ratio more skewed to the amber liquid than Kelham Island. Formerly the industrial heartland of the city, the Quarter is regularly voted one of the coolest areas to live in the UK, and with good reason: plenty of start-ups have moved into the attractive Edwardian-era buildings, thirsty for emerging business and a good pint. There’s also the monthly Peddler Night Market, an open-plan food truck paradise with live music and a pop-up gin bar.

Art: Millennium Gallery

A visit to the central gallery offers an intriguing insight into Sheffield’s industrial and artistic pasts, and art, craft and design installations share the modernist space with permanent exhibitions detailing the city’s past - and current - expertise in steel. The gallery shares a wall with the Winter Garden, a huge temperate glasshouse and botanical garden open to the public that also serves as the BBC studio during the snooker World Championship.

Theatre: The Crucible

The Crucible is much more than the home of snooker, putting on world class theatre, music and ballet year-round. Sir Ian McKellen has regularly performed there through the years, and recently said “I shall always be proud that, with Edward Petherbridge, I was in the first play ever at the Crucible in 1971. Chekov’s Swansong was part of the concert which opened the now iconic open stage.” He’s back this year with a solo show. If it’s good enough for Gandalf, it’s good enough for you.



44°N Gin - sustainable gin from the home of perfume

Originally on Living it

On the Côte d’Azur, in the hills north of Cannes, lies the town of Grasse. Since the end of the 18th Century, it’s been seen as integral to the perfume industry - “la capitale mondiale des parfums”, as the French so eloquently put it.

Perfume houses like Galimard, Molinard and Fragonard are still headquartered in the town and have given in to the temptation of the omnipresent ‘factory tour’, but remain gorgeous mementos of a France gone by. There is, however, a new industry growing in Grasse that takes some of its inspiration from the old perfumeries.

A distillery sourcing its botanicals locally

Comte de Grasse, founded in 2017, has just released its first spirit, a particularly futuristic gin named 44°N in honour of the location of its factory, formerly one of the town’s perfumeries and producers of raw materials for perfumers since 1820. The area, perfect over so many years for sourcing the very best perfume ingredients also lends itself to a distillery sourcing its botanicals: local cade, mimosa, jasmine, immortelle, lavender and rose centifolia are all within plucking distance.

Tradition and romanticism are all well and good, but they get you nowhere in the growing world of sustainability: beautiful design and romantic backstory are no longer enough in an industry crying out for eco innovation. It’s here that 44°N has managed to combine the perfume world with the future of spirit distillation.

Comte de Grasse’s master scientist Marie-Anne Contamin has worked with the University of Nice and Sophia Antipolis Research Lab to introduce three incredibly complex-sounding processes to gin distillation, to improve both the spirit’s sustainable credentials and its taste. This trio of methods is codenamed Grasse HYPRX, for ease in conversation and presumably also to make the distillery sound more exciting than anything Elon Musk has come up with.

Ultrasonic maceration

The first step, ultrasonic maceration, creates microscopic bubbles that burst and de-structure the cells of the botanicals present, extracting flavour and character. The low-energy process enables a quick and high extraction rate, which in turn gets the best tasting notes from each ingredient.

The resulting pulp - or macerate - is then moved onto the vacuum distillation stage. Further flavours are extracted from the ingredients at low pressure and temperature, in order to adequately concentrate the alcohol level while preserving any fragile notes and creating a more energy efficient process.

The final step is the most Space Age in technique and name. CO2 superficial extraction, in layman’s terms, is the process of pumping high pressure CO2 plasma through each botanical - with the pressure tailored to the molecular structure of each - to extract the exact flavours wanted for the gin.

Innovative gin production

While the steps are familiar - maceration, extraction, distillation - the intricacy of the processes has reached the next level of technical prowess, using significantly less energy and fewer natural resources than traditional gin production, and seeming more akin to the exacting standards of perfume creation.

Replacing the perfume industry is vital for Grasse, the local community having seen years of decline due to many of the famed perfume manufacturers moving to more industrial areas. To this end, before the botanicals even get to the distillery, they’re hand-picked by Renouer, a cooperative dedicated to rebuilding the economic independence of the area.

With one final homage to Grasse’s past, 44°N’s bottle is a Bleu Klein beauty, taken straight from a perfume bottle designer’s handbook. For the local area, perfume remains an important cultural and financial aspect of life, and with Comte de Grasse, this looks set to continue for some time to come.

Madeira: the Old World charms of a New World destination

Originally appeared on Living It

When I took on a brief to cover Madeira and its wine festival, I wasn’t expecting to be standing up in the back of an open-top jeep plucking passionfruit flowers off their stalks to drink the nectar inside. Nor was I expecting to still be standing in the back of said jeep while we weaved our way through mountains, villages and plantations, either like some sort of militia or the Man from Del Monte.

We were being driven across the island by the hospitable and mischievous Vald (short for Valdemar, he insisted we shorten his name “as every English person starts calling me Voldemort”). Vald is a Madeiran, and driver for Green Devil Safari, a fleet of 4x4 vehicles perfectly tuned to traverse whatever the steep, exotic mountains of the island have to throw at them. Potholes as deep as a bath, fern leaves larger than a car boot, turns in the road sharper than a u-bend? No problem for Vald and the group of whooping tourists under his care.

While it’s not quite The Lost World, Madeira arguably was, until 1418, an undiscovered one. The earliest potential mention of the Madeiran archipelago is by Greek-Roman biographer Plutarch in AD75, who recounts conversations with Atlantic sailors about the legendary ‘Isles of the Blest’. There’s also archaeological evidence that the Vikings stopped on the islands sometime between 900 and 1030, undoubtedly taking a quick break from exploration and pillaging.

The final claim for discovery of the islands comes from a semi-historical English source (as per usual). As the story goes, in 1346, trader Robert Machim fell in love with Anne d’Arfet, a woman of higher social standing than poor Robert. They eloped, and fled England for France. This went drastically wrong, as their ship was driven away from the coast of France, and 13 days later, arrived on the coast of Madeira. Having escaped England, and found a place to spend their lives together, the star-crossed lovers promptly died of exhaustion. The story has been forever commemorated by the inhabitants of Madeira, who actually named the island’s third biggest settlement, Machico, after the romantic pair.

While it’s certain that the islands had at least been noted before the Portuguese arrived, there’s no indigenous population on the archipelago, a pretty small batch of rocks more than 1,000 kilometres from Portugal, and on a latitude with Casablanca. There wasn’t a huge amount of life generally until the 15th Century reign of Portugal’s Prince Henry the Navigator. Two captains under his command, João Gonçalves Zarco and Tristão Vaz Teixeira, were driven off their usual course, and miraculously stumbled upon Porto Santo (Holy Harbour, named in gratitude to the divine intervention needed to save them from shipwreck). After catching their breath, they realised they were on to a winner, and brought an official expedition in 1419 to settle on Porto Santo and the larger island they had found: this would eventually become Madeira.

Madeira’s volcanic base has created fertile ground for plant life, and the island’s 24 (or 20, or 7, depending on who I asked) microclimates cater for what seems to be any nation’s landscape. In the space of four hours, our jeep had topographically travelled across most of the world; one particularly odd moment was a blink-and-you’ll-miss-it transition from the fresh, pine-filled air and landscape of the Scottish Highlands to the hot, yellowed plains of the Sierra Nevada. Pack a wardrobe, if you can.

For a more manicured look at Madeira, a stay at Quinta Jardins do Lago is a fascinating look at how locals have tamed the wild side of their home. Describing itself as a botanical garden hotel, the grounds of this 18th Century Quinta, or villa, overlook Madeira’s capital, Funchal, and pack in as many aspects of the island’s natural abundance as possible. Capability Brown would be in awe.

The quinta was also the home of Britain’s General Beresford during the Napoleonic wars, and the era’s architecture has been retained, giving the hotel an air of plantation opulence seen here and there across the island. The absolute star of the show, however, is Colombo the giant tortoise, who has just celebrated his 60th birthday. Named after Christopher Columbus, who visited Madeira during his time as a sugar trader, wily old Colombo is given free rein of the grounds, but understandably chooses to stay within relative proximity to his plush home in the centre of the hotel’s gardens.

Alongside the verdant landscapes, Madeira has produced a few famous faces. Vasco da Gama was possibly the most famous, until Cristiano Ronaldo’s free kicks and over-enthusiastic celebrations meant he muscled his way to the top. Thinking it was perhaps a misspent youth treading grapes for the local vineyards that made his feet so supple, I decided to become acquainted more intimately with the Vedelho grape by jumping into a massive vat of the stuff and squelching to my heart’s content. Luckily, this wasn’t frowned upon, as treading the grapes is part of the island’s annual wine festival. An excitable group of young journalists, Madeirans dressed in traditional clothing, and septuagenarian cruise-goers all got stuck in, my shorts were ruined, and I was delighted. I even tried a shot of the resulting juice, and it didn’t taste like feet, which was much more than could’ve been hoped.

Madeira is, of course, renowned for Madeira wine. The yearly wine festival takes place in September, centred on Funchal’s main thoroughfare, with stalls showcasing the very best wine and food pairings available. Blandy’s, an established Madeira wine producer since 1811, invites guests into its wine lodge to sample its wares, and organises wine pressings, tastings and parties to celebrate the island’s most famous produce. The lodge is open year-round for visitors to get a more detailed look at Madeira wine’s production process - and have an excuse for a midday tipple.

Even without the energy of the wine festival, Funchal is a charming and vibrant capital city, feeling much bigger than its 112,000 population would suggest. Its small, winding streets, still cobbled, are easy to escape into - and even easier to become lost in. The most beautiful of these alleys is Rua de Santa Maria, lined with inviting restaurants and benefitting from the sea breeze. This is the old town, so it’s already charming enough, but Santa Maria’s main attraction is the multitude of decorated, coloured doors each side of the street. Around 200 doors were ‘given’ to artists to reinvigorate, and the doors vary between traditional depictions of Madeiran life, to political statements, to Impressionistic homages.

While wandering the streets of Funchal, it would have been remiss of me not to make the two kilometre trip to Reid’s Palace, Madeira’s answer to Europe’s fin de siècle magnificence. Teetering on a rocky outcrop over the crashing Atlantic, Reid’s Palace was built by Scotsman William Reid in 1891, a few years after he arrived on the island as a sick 14 year old boy without a penny to his name. It immediately attracted the European set, brought to the hotel by its lavish interiors, dramatic views and impeccable, confident service. Generations of the great and the good have stepped foot under the Murano chandeliers of Reid’s, with Winston Churchill and George Bernard Shaw becoming such loyal guests that there are suites named after both. I was given a tour of Churchill’s suite, a bright, airy complex with a blue-tiled bathroom and expansive verandah overlooking the sea. It was classic British design with a Madeiran influence. I took a mint.

Before Belmond took over in 1996 and revitalised the hotel, Reid’s had garnered a reputation as being for ‘the newly wed and the nearly dead’, a moniker unfairly given sometimes to the island as a whole. Madeira has had a bit of an image problem - simply put, it’s been a victim of its own success. The agreeable year-round weather, staggering scenery and location of the islands has made it a hotspot for cruise liners, bringing with them more than a fair share of ‘grey tourism’. However, times are changing, with an upturn in younger generations discovering the old-world charms of a new-world destination. It might’ve been the wine talking, but I promised at least a dozen locals that I’d be back within the year. It’s hard to stay away.

Cédric Grolet, the world's best pâtissier

Originally on Living It 

Cédric Grolet can certainly make pastry. Trained by master pâtissier and creator of the indulgent L’Eclair de Génie, Christophe Adam, Grolet moved in 2011 to Parisian high luxury hotel Le Meurice to work alongside two Michelin stalwarts, head chef Alain Ducasse and executive chef Jocelyn Herland. After only two years, Ducasse had seen enough to name him executive pastry chef at the hotel, and his exploits since have only seen his stock rise further among his peers.

Grolet was recently crowned best pastry chef by the World’s 50 Best Restaurants Awards, and it’s not hard to see why. His unfathomably lifelike creations range from fruit, to personal twists on traditional French desserts, and the fruit creations in particular have garnered praise across the gastronomic world - achieved by a thin shell of airbrushed white chocolate, the desserts have to be seen to be believed. Luckily for us, they have helped him gain a formidable following on social media, where he showcases the very best of his wares.

Earlier this year, Grolet opened his first pastry shop, handily situated in Le Meurice. While undoubtedly this is a priceless opportunity to develop his craft within the juggernaut of the Dorchester Collection and under the watchful eye of Ducasse, the opening also reflects on how highly Le Meurice values his skills - the hotel is surely desperate to keep hold of one of its biggest assets. In between bouts of globe-hopping, receiving awards, and the small matter of his day job, we managed a few quiet minutes with the 32-year-old crown prince of pastry.

Q. The 50 Best Awards shows how fêted you are by your peers. How have you reached such a high level of quality in a relatively short period?

"I love watching and listening. Exchange is important of course, but when you have very great professionals in front of you, I think you just have to take what they offer you: their time. It is an honour to win an award which gives me a platform to shine a light on the incredible creativity of pastry chefs the world over. I have been inspired by many innovative chefs in my career and especially by the pâtisserie tradition of my home country of France. I always seek to create moments of togetherness, menus which produce lasting memories and introduce diners to our world. After all, that is what we, as chefs, seek to do every day."

Q. How is working at Le Meurice with Alain Ducasse and Jocelyn Herland?

"The transmission of knowledge is very important to me. I’ve had the chance to learn from a number of very talented chefs; today evolving alongside Alain Ducasse is a great opportunity. His style, centred on essential tastes and original fragrances, allows me to revisit my classic techniques and deepen my skill-set. Both Alain and Jocelyn have taught me how to select raw materials, to ensure their quality, to work with them in the simplest possible way - revealing their optimum taste."

Q. Where do you get the ideas for your pastry creations?

"I am very lucky, my mother is a real cordon bleu. She has always made a lot of desserts at home and it is indisputably she who gave me the desire to cook and make pastry. Everything is inspiring. I draw a lot from my childhood memories and my education, but typically, I am inspired by everything around me; fashion, cars, colours, architecture, museums, travels. I’m particularly inspired by the cultures from all different countries in which I have traveled. I love Asia; I have had the chance to travel there several times. I particularly appreciate the delicacy of the products used and their originality. There is no bad idea."

Q. What makes a great pâtissier?

"A great pâtissier... what a question! I do not think there are any specific criteria. In addition to mastering the classics, the key is to be greedy, curious and passionate. My only pleasure is to evoke an emotion. The profession of a pastry chef is very demanding, but it is also very rewarding. To secretly observe an unknown person and to read joy and happiness from the first bite is magical. I like more than anything that my pastries evoke a pleasant memory."

Q. What's next for you?

"My goal is to grow my team, to push our knowledge further and develop our good relations. I would also like to develop my shop internationally."

The Spirit of Scotch: ghost distilleries with Diageo's Dr Jim Beveridge

Originally appeared on Living it

While Scotch whisky is currently enjoying huge popularity across a wide range of audiences, the landscape hasn’t always been this way. Whisky is risky - the product has to sit in casks for a minimum of three years and a day before it can even be called Scotch, so forward planning is the cornerstone of any distiller’s business. Unfortunately, this, along with the peaks and troughs of whisky popularity, means that some distilleries aren’t able to survive. These are the ‘ghost distilleries’, places where once was a thriving business, but now lie only a few unopened casks.

The whiskies from these ghost distilleries can be highly sought after, both for their unique flavour profiles and romantic provenance. Scotch giant Johnnie Walker has collected a number of ‘irreplaceable casks’, in order to preserve the legacy of distillers that had to concede their dream of producing their own whisky.

The brand’s parent company, Diageo, has also decided to reopen two distilleries and guide them back to their former glory. Brora, a Highlands distillery, was cursed by its own success, when a second distillery was built alongside it to meet demand, just before the market crash of the late 1970s, and it finally ceased production in 1983. Islay distillery Port Ellen closed the same year, having run since 1825. However, both will have a new lease of life when they reopen in 2020, rediscovering the one-of-a-kind tastes of each.

Dr Jim Beveridge, master distiller at Johnnie Walker, has worked for the brand for almost four decades, having joined as a chemistry graduate straight out of University. His first job, as a flavour chemist, saw him slowly make the move over to the blending table with his understanding of the relationship of maturation between whisky and the casks it is stored in. His newest creation is Johnnie Walker Blue Label Ghost and Rare,a blend of some of the rarest whiskies from the Johnnie Walker Reserves used to create Johnnie Walker Blue Label, producing unique flavours that will never be created again. Living it sat down with Dr Beveridge to discuss ghost distilleries, one-off whiskies and why innovation is key to success in the industry.

What do you think attracts us to the idea of ghost distilleries?

There is something quite romantic about being able to savour the great whiskies from distilleries that closed long ago. For me, it’s fascinating how whiskies from a small number of iconic, closed distilleries have a unique, inimitable character that lend something very special to the taste of Johnnie Walker Blue Label. Exploring the character of these wonderful whiskies was what we set out to do with Johnnie Walker Blue Label Ghost and Rare Brora.

Why do you think it’s necessary to revive ghost distilleries? Is it a matter of legacy?

The rare whiskies that come from closed ‘ghost’ distilleries offer a fleeting opportunity to experience the often-unique Scotch they produced. They are so rare that not everyone gets the chance to experience their unique flavours. With such a growing interest in whisky, if we can revive a ‘ghost’ distillery then we can we can offer more people a chance to taste something of the spirit of these wonderful distilleries and their unique whiskies.

How often do you get to work with whiskies of this rarity?

Not often enough in my book! These whiskies are so rare that working with them only comes along occasionally.

You always have a mixture of feelings towards these very rare whiskies from ‘ghost’ distilleries. The great challenge of ‘ghost’ distilleries being that their supply is finite, yet, on the other hand they are there, and they need to be used.

Day-by-day we use all kinds of whisky from all over Scotland and of different ages - bringing out different characteristics to experiment with. We tweak, record and perfect each experiment until we discover something that can sit alongside our iconic portfolio of whiskies.

How big is your library of irreplaceable casks? It must be quite exciting to explore them all.

Not big at all. I mean, these whiskies are so precious that I always wish we had more of them to work with. The reality for something like Brora is that we only have a handful of casks. When we do work with these whiskies we feel very privileged.

Why have Brora and Port Ellen been chosen to be revitalised?

Fifteen or so years ago Diageo started bottling Port Ellen and Brora as special releases. They have become so popular that it became obvious the time was right to bring those two distilleries back to life in order to meet the number of people who can enjoy the Brora and Port Ellen whiskies.

Their reopening is part of Diageo’s huge investment in Scotch whisky industry and tourism – it’s exciting to see how that will transform the Scotch whisky visitor experiences across Scotland.

How unique is the Brora flavour profile, and how does it lend itself to Johnnie Walker Blue Label Ghost & Rare?

There only is one Brora – so its flavour is completely unique. Brora stocks are a mere drop in the ocean among the 10 million casks available to the Johnnie Walker blending team.

Any sample of Brora is deeply aged and from a distillery that produced only small amounts of whisky – that makes for a very special Scotch indeed. This lends something very special to Blue Label and brings a uniquely rich fruitiness and a subtle smokiness to Blue Label Ghost and Rare Brora.

What about the whiskies from Cambus and Pittyvaich? They’re two other ghost distilleries that play a big part in this new expression. What are you looking to get out of those in terms of taste?

Pittyviach has unique flavours, in a completely different flavour style to Brora. It is a classic malt whisky, which has got spicy aromas, that is very important to the layers of flavour in Johnnie Walker Blue Label Ghost and Rare Brora.

Cambus is a grain whisky, again it has rich, deep vanilla flavours and sweet notes – so there is quite a contrast there, very rich in flavours.

Together these three presented the best flavour profile to blend with the other rare whiskies from existing distilleries to create a blend of great richness and elegance.

Is the era of ghost distilleries at an end? Is there still a risk of closures, or do you think the Scotch industry is in the strongest shape it’s arguably ever been in?

I hope so. While I enjoy working with these ‘ghost’ whiskies I certainly don’t want to wish any into existence – a distillery has to close for that to happen and I wouldn’t want that to ever be the case but I accept that from time to time it happens.

The whisky industry in Scotland looks strong, so I’m hopeful that if this is the case, all the distilleries producing such wonderful Scotch in Scotland will continue to do so.

Should we be doing more to protect distilleries, or do you think with the re-emergence of Scotch on the wider market, people are finally appreciating the history and craftsmanship behind them?

Whisky enthusiasts have always been interested in the provenance and history of Scotch, they want to travel to the great distilleries of Scotland to touch and feel the distilleries where their favourite whiskies are made. It seems to me that more and more people want this experience and that can only be good news.

Restaurant review: Temper City, London

Originally appeared in The City Magazine

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Neil Rankin knows his meat. Starting out in fine dining under chefs such as two-michelin-starred Michael Wignall and executive chef at Chiltern Firehouse, Nuno Mendes, Rankin moved to work at Barbecoa with Jamie Oliver, where his charcoal-cooking passion began. Fast-forward through a stint as head chef at Pitt Cue, and founding Smokehouse restaurants, and the carnivorous cook launched the lauded Temper Soho, and now, Temper City.

Whereas the original Soho branch focuses on South American BBQ ingredients and flavours - think gauchos, tacos and mezcal - its younger brother in Angel Court turns east for its influences. Tandoor roast meats and homemade roti are the specialities in the sleek interiors of Temper City. Try to bag a seat at the kitchen counter: the signature Temper open kitchen in the centre of the restaurant means that flames lick away in full view of diners.  

If you’re ready for a feast, go for one of the thali, a round platter full to the rafters with spiced fried potatoes, a heady ‘temper mix’ of nuts, crackers and other treats, paratha (flatbread), turmeric pickles, peshwari dust and fresh herbs. All this, however, is merely a sideshow for the main event. Choose from a list of seven curries, including crispy egg with katsu, tomato and charred aubergine, or spiced pork belly. I was recommended the dash chip shop chicken, a curry of smoked chicken and dashi sauce, a Japanese fish stock. Rich and fragrant, it was certainly a divergence from my usual chippy choice, but one I would gladly see on the blackboard of my local.

If you feel yourself filling up, do yourself a favour and save space for dessert. The very helpful (and beautifully-named) restaurant manager David Taylor suggested the chocolate and turmeric torte with pistachio ice cream. I’m not a follower of the pistachio ice cream cult, but it worked like a treat alongside the warm, dense cake and aromatic influence of the turmeric. 

The menu is ambitious, and sometimes wavers on its identity: are we in a smoky, fiery, charcoal restaurant? Is it a curry house? No matter. It’s no big deal when the flavours, atmosphere and portions are this big. 

The contested history of the Margarita

This article originally appeared on Living it

Like with most cocktails, the origin of the Margarita is hotly disputed. After all, to be the creator of a drink imbibed by socialites old and new the world over is something of a badge of honour.

One surprising claim comes from a British source. The Café Royal Cocktail Book, published in 1937 and compiled by William J. Tarling, is the go-to reference for cocktails developed in the 1920s and ‘30s, even though fewer than 25 copies were originally printed.

Tarling, president of the United Kingdom Bartenders Guild, and head bartender at Regent Street’s Café Royal collated the recipe book of more than 4,000 classics alongside pioneering new cocktails to encourage readers to experiment with their usual tipples. One such cocktail, the Picador, used tequila, Cointreau and lime juice in almost the exact same measurements as the modern Margarita.

One year later, Carlos ‘Danny’ Herrera created a cocktail for regular customer and former Broadway dancer Marjorie King in the less surprising surroundings of his restaurant Rancho La Gloria in Mexico. This was supported by San Diego bartender Albert Hernandez in 1947, who said that the owner of his bar knew Herrera personally and that Marjorie King had been allergic to most spirits, but not tequila.

Or, the Margarita could have been invented a year after, in 1939, in Los Angeles bar Tail O’ The Cock.

Or, in 1941 back in Mexico at Hussong’s Cantina, by Don Carlos Orozco, who created it for the German ambassador’s daughter, Margarita Henkel.

Even Notimex, Mexico’s news agency, is involved in the argument, saying that, in fact, Francisco ‘Pancho’ Morales has the strongest claim as inventor, having mixed his version in Tommy’s Place Bar, Juárez, in 1942. The list of potential Margarita parents goes on, but iterations of the drink have been mixed since the early 20th Century, when Mexican bartenders adapted the New Yorker’s Whisky Daisy with a slug of tequila, renaming it Tequila Daisy, or Margarita.

No matter the origin of the Margarita - or Picador, for that matter - most are in agreement that since the spirit’s creation in 1989, it’s difficult to beat a Margarita made with Patrón Tequila. In the run-up to this year’s Cinco de Mayo celebrations, and for the fourth year running, Patrón is looking for the Margarita of the Year. Bartenders from seven cities across the world have been tasked with adding their own twist to the classic cocktail, using flavours and ingredients inspired by their local region. Contestants come from cities as wide-ranging as Seattle, Osaka and Barcelona, with the winner crowned on May 5th.

Mediterranean Margarita

As part of the celebrations, I was challenged to recreate the Mediterranean Margarita. Mixed by bartender extraordinaire Yanaida Prado, and inspired by her hometown of Barcelona, the Mediterranean Margarita mixes lime and lemon with sherry and marmalade to give Spring a bit of a kick.

Luckily for me, Ms Prado had already done the hard work, mixing the main ingredients, including agave nectar, Amontillado sherry and the flagship Patrón Reposado tequila, which gives deeper flavours of wood and mandarin to the lightness offered by the citrus and agave.

In spite of doing almost none of the preparation myself, there’s something mildly exciting about opening a small tub to find Tajín salt, to add to the rim of a freshly-chilled coupe glass, even if I’m doing so in my own kitchen and not in Barcelona’s Dry Martini bar. I’m sure that Ms Prado would have despaired as she saw my awful attempt at peeling the lime to garnish the drink, but garnished it was, and the resulting cocktail transported me from cold England to the warm beachside of La Barceloneta.

From Tarling’s Picador to the daughter of a German ambassador to a Broadway dancer, and all in between, whoever wins the title of Margarita of the Year will be the latest in a long line of Margarita pioneers. We can all drink to that.

The Spirit of France - G'Vine Gin

Originally in The City Magazine

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An unconventional ingredient makes for a very french gin

Jean-Sébastien Robicquet speaks with the confidence of a man who knows his drink. He has good reason to – his family has been in the wine business for 400 years, and without him, the world wouldn’t have the P. Diddy-backed Cîroc Vodka. Having gained masters degrees in Oenology and Business, Jean-Sébastien worked with Hennessy for more than ten years, before founding the Maison Villevert group. Based in a beautifully restored 16th century château in the Charente prefecture of France called – you guessed it – Maison Villevert, Jean-Sébastien’s team created the aforementioned grape vodka, as well as the unconventional gin that’s just celebrated its 10th birthday, G’Vine.

Bringing his expert understanding of grapes to the table, Jean-Sébastien looked at gin from a different angle: “I created G’Vine because I was not fully satisfied, as a Frenchman, by the gin on offer. I wanted to have something elegant and pleasant for my palate.” The use of grapes as the base for a gin might sound odd, but the sweet properties of grape worked beautifully in comparison to the traditional grain.

Ryan Chetiyawardana, owner of Dandelyan, the world’s best bar according to the Spirited Awards, is a big fan of the gin, as is head bartender Alex Kratena. Both took part in the ‘G’Vine Perspectives’ video series, using the brand’s Floraison expression as a base to their cocktails.

G’Vine’s 10th anniversary was celebrated on the rooftop of Galeries Lafayette in Paris. Gin experts mingled and danced into the night with models wearing green sunglasses – the perfect symbol for a thoroughly French gin.

The G’Vine expressions

Floraison

Floraison stands for ‘flowering’, and with good reason: it’s the most important time in a vine’s life, when it is distilled, in this case, into a fresh and floral gin that aims to bring to mind the vineyards
in springtime, when the scent of the blossoming vine flowers fills the air.

Unsurprisingly for a grape gin, the taste – smooth but full-bodied – is unique, and is surprising in its subtlety and sweetness. The less alcoholic of the two expressions at 40 per cent ABV, it’s best in a classic G&T or a light and breezy summer cocktail.

Nouaison

Nouaison means ‘setting’, when the flower turns from bloom to berry. The berry turns a subtle gin into something spicier and more intense, and a good alternative to a traditional dry gin. This version comes in at a heftier 43.9 per cent ABV, offering more punch than Floraison. It’s perfect for those who like stronger cocktails such as the Negroni.

Restaurant review: Fenchurch Restaurant, London

Appeared in The City Magazine

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‘Dinner with a view’ doesn’t do this restaurant in the sky justice

There aren’t many restaurants where you’re scanned for dangerous materials at the door. Then again, there aren’t many on the 37th floor of one of London’s tallest skyscrapers. Sitting atop 20 Fenchurch – or the Walkie Talkie, to most people – and above the building’s ‘Sky Garden’ panoramic bar-cum-viewing platform, Fenchurch Restaurant would have almost unparalleled views of the City were it not for the girders and palm trees blocking the way for half of the venue. Luckily, my guest and I landed a great vantage point (when booking, ask for a view of St Paul’s).

In comparison to other sky- high restaurants, Fenchurch is a smaller affair, which actually serves to enhance the personal experience. While it would be easy to rest on your lofty laurels and provide service as an afterthought, here the staff are eager to connect with diners, asking them about their favourite meals and then making suggestions. I started with scallops and orange chutney; my guest had the smoked eel.

While the scallops themselves were delicious, the orange chutney was a little on the strange side. The eel was an unexpected hit, setting up the mains nicely.

We went meaty for our next course, with veal and beef shin respectively. Both were masterfully prepared, and cooked exactly to order – although I could have done with a little more of the veal.

The dessert was the highlight of the evening. I chose the bahibé 45 per cent milk chocolate bar with salted popcorn ice cream. No worries about portion size here: chocolate mousse atop a chocolate sponge atop a crumbling chocolate biscuit base, all smothered in – you guessed it – chocolate, was almost too much even for my typically Scottish sweet tooth. I also, somewhat indulgently, went for the recommended dessert wine, a 2014 Bertani Recioto della Valpolicella, an Italian wine where the grapes are dried for 150 days on traditional cane mats before fermentation. It was worth the wait: the cherry-chocolate wine paired beautifully with the cocoa behemoth I’d ordered.

As many wallets will attest, it’s a pretty expensive night spent at the top of the Walkie Talkie.
Of course, you’re paying for the experience as much as anything else, and the atmosphere and quality of cooking are high-end. I’d make a joke about being on cloud nine after the meal, but that would be overdoing it, right?

Discovering The Bonnie Banks with Loch Lomond Whisky Distillery

Originally in The City Magazine

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Loch Lomond Distillery’s 50-Year-Old whisky is as special as the loch from which it gets its name

I had my first sip of Loch Lomond Distillery’s Inchmoan as we sailed past an island located in the middle of the distillery’s eponymous home. According to the driver of the boat – and I have no reason not to believe him – this particular islet – in fact, the original Inchmoan – was where women found guilty of adultery were sent. A mere paddle away is another outcrop, where local drunks were deposited. The story goes that not only have whisky barrels been dug up on the latter island (ingenuity knows no bounds), but the drunks regularly attempted to swim between islands. It seems the 18th-century inhabitants of the middle of Loch Lomond knew how to have a good time.

I had been invited to Loch Lomond Distillery in aid of the launch of its 50-Year-Old single malt. Back on dry land, we entered Cameron House, a five-star baronial mansion on the banks of the Loch, to be greeted by the expansive bar, the whisky list fitting for one of Scotland’s premier venues.

The 50-Year-Old was distilled on 19 November 1967, lying in wait for 40 years, before master blender Michael Henry joined Loch Lomond Group in 2007, and chose the cask as the flagship Loch Lomond whisky.

We were given a tour of the distillery, including the cooperage, where traditional methods are still used alongside more modern technology. Feeling deeply insecure surrounded by burly,
old-school craftsmen, I tried to assert myself by grabbing the hammer and chisel, and immediately lost any remaining respect by daintily chipping away at the barrel ring like I was hanging a small painting on what I thought might be a dividing wall.

I needed some way to recover. Luckily, we returned to Cameron House for a tasting of the 50-Year-Old. It starts out spicy, cloves and cinnamon combining with sultanas and a hint of Scottish tablet. The tablet’s silkiness sticks around, but strong fruit flavours take over, most notably big doses of pineapple and banana,which give way to warm stem ginger and tangy grapefruit. Henry was right to bottle it now: the angels don’t deserve any more of a share.

A special drink needs a box to match, and Loch Lomond’s partner Method Studio has gone the extra mile, with handcrafted, solid oak chests imitating the Loch’s dark waters. Each individually- numbered chest is leather-lined and indigo-dyed until almost black, and hides a solid brass vial miniature for you to indulge in.

The tasting was bittersweet; the whisky really is an exceptional expression of Loch Lomond’s single malt, a singularly rich, fruity concoction. I knew, however, that I probably wouldn’t be indulging again for a while (unless a particularly benevolent PR fancies sending a bottle), such is the exclusivity, delicacy and artistry on display. Slàinte mhath: I’m glad I got to know you.